This Lakme Fashion Week x FDCI wasn't just about the clothes, it was about the moments. And the showstoppers? Pure magic.
Triptii Dimri continues to push the boundaries of fashion.
It's not just fabric; it's history, heritage and legacy all woven together.
Malaika Arora looked ravishing in a sleeveless ornate choli paired with an glittery red lehenga and a tulle dupatta.
Sukanya Verma presents a playlist of 100 Lata Mangeshkar songs from different decades of Hindi films -- songs that make me sing, smile, sob and sigh.
Was descending into the telling of only Diana's tale in four long, slightly-draggy soap-opera-ish episodes of the last season the original premise of The Crown? asks Vaihayasi Pande Daniel.
The actor, who will be the showstopper for LFW's grand finale, revealed her love for lipsticks and the colour she has always loved.
On his 90th birth anniversary, Sukanya Verma lists 20 of her favourite scenes that reiterate his extraordinary grasp on the language of cinema and connect with the viewer.
Its quiet, whitewashed elegance and colourful vibrancy make the erstwhile colonial town of Puducherry an ambler's delight.
Take a bow, Manish Malhotra!
'Kaala's sin is not that it is presented as a mouthpiece for its director Pa Ranjith's political viewpoints, but that it makes a travesty of them.' 'Ranjith turns Marx into merchandise, all the while functioning as a hired hand for Brand Rajinikanth,' points out Sreehari Nair.
'The bumblebees in Par Ek Din may not be flying yet, but even as they dangle in mid-air, their stings hurt.' 'Effortlessly graceful, this is a work of passion that conveys what being passionate about something truly feels like,' says Sreehari Nair.
Who was Mohammad Azharuddin? More crucially, *what* was he? Those are precisely the questions that, as the end credits roll after 132 minutes of run-time, remain unanswered, feels Prem Panicker.
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